De Vita Coelitus Comparanda

De Vita Coelitus Comparanda

Editorial Note: Given Myatt’s interesting mention, in his 2017 book Classical Paganism and The Christian Ethos, {1} of the work De Vita Coelitus Comparanda by Marsilii Ficini published in 1489 CE, we publish here an extract from ONA Esoteric Notes XLVII – issued in 2016 – and which Esoteric Notes were included in the O9A compilation The Esoteric Hermeticism Of The Order Of Nine Angles {2}.

The illustration above is of the relevant page of Ficini’s book.


ONA Esoteric Notes XLVII

De Vita Coelitus Comparanda

The twenty-sixth – and last – chapter of the book De Vita Coelitus Comparanda by Marsilii Ficini published in 1489 CE has as its heading Quomodo per inferiora superioribus exposita deducantur superiora, et per mundanas materias mundana potissimum dona. [How, when what is lower is touched by what is higher, the higher is cosmically presenced therein and thus gifted because cosmically aligned.]

As Ficini goes on to explain – Est igitur non solum corporeus, sed vitae insuper et intelligentiae particeps. Quamobrem praeter corpus hoc mundi sensibus familiariter manifestum latet in eo spiritus corpus quoddam excedens caduci sensus capacitatem – the world (mundus) and by extension we ourselves as part of the world are not only material (corporeal) but also imbued with the vitae [Life; Being; ψυχή] and the intelligentiae [apprehension] of that which is above; and that beyond obvious outer appearances there is a hidden, an inner, animating [spiritus] aspect which our ‘lower’, more mundane, senses are unaware of.

All of which, based as it is on the writings of earlier authors such as Iamblichus, is a rather succinct summary of one of the fundamental principles of the weltanschauung that underlies ancient esoteric arts such as alchemy, astrology, and magick. That – as Ficini explained in earlier chapters, such as in chapter sixteen in respect of images/objects/talismans – the animating forces of the cosmos, as symbolized by the seven classical planets and the twelve classical heavenly constellations, not only affect us but can be consciously presenced, drawn down in a beneficial way, into objects and into ourselves.

That the Order of Nine Angles (O9A, ONA) has the same underlying ancient weltanschauung is obvious if the above is restated using the modern terminology of the O9A. Thus, (a) how when what is causal is touched by what is acausal [when a nexion is opened], the acausal is presenced within the causal thus producing changes in the causal; (b) the septenary Tree of Wyrd – with its planetary, stellar, and other esoteric correspondences as outlined in text such as Naos – since it is imbued with the acausal [is a nexion] is a beneficial presencing of those acausal energies that non-initiates are unaware of or disdain.

This ancient – essentially Greco-Roman – weltanschauung formed an essential part of the European Renaissance, as the life and writings of people such as Marsilii Ficini attest. Thus one might well suggest that the Order of Nine Angles embodies – at least in part – the spirit that animated that European Renaissance. An embodiment in the O9A manifest in their elitist and cultured ethos; a cultured ethos which neglected O9A texts such as (i) Culling As Art, (ii) The De-Evolutionary Nature of Might is Right, and (iii) The Gentleman’s and Noble Ladies Brief Guide to The Dark Arts, explain.


{1} The book is reviewed at

{2} The O9A compilation is available as a pdf file from: